The past year all but put to rest the cliché that the millennial generation will only commit to taking action in the form of 140 characters or less. From Ukraine, to Ferguson, to Hong Kong, we saw examples of people—perhaps too young to see a cut-and-dry distinction between our online and real world selves—taking to the streets, taking back public spaces, demanding accountability from their leaders, and justice for crimes unpunished. I am by no means the first to suggest that social media and other contemporary communications amplified these efforts, but there has been little discussion about the ways that those forms of communication have connected us as global citizens with a shared sense of values.
The idea of the ‘global citizen’ goes back to ancient Greece in the 4th century B.C., when the philosopher Diogenes struck a blow against petty provincialism and small-minded sectarianism by proclaiming, “I am not an Athenian or a Greek, but a citizen of the world.”
As the bloody mess that is human civilization can attest, Diogenes’s saber-rattling declaration about the global nature of his identity hasn’t been easy for human beings to embody. But our increased sense of connectedness is now enabling the global citizen to flourish. There is a growing sense that our individual lives resonate with a global dimension and that our interests extend beyond those of our immediate borders. In this issue, we set out to explore that sense.
We started in Argentina where Kurt Shaw sought to better understand a man who we believe is the pinnacle of global citizenship, Pope Francis (“Walking the Maze”). How are we to reconcile the narrow-minded parochialism of the Catholic Church in recent years with the tolerance, cosmopolitanism, and commitment to justice that has defined Francis’s brief papacy? Shaw walks the streets of Buenos Aires and Córdoba to unlock the mystery behind Pope Francis’s distinct blend of faith.
Next, we head to the Yukon, where Tom Clynes paddles down the Snake River and chronicles a legal victory that brought together stakeholders from diverse coalitions, who came together to protect one of the world’s last great wildernesses (“Champagne in the Peel”). The rich hues of the Canadian landscape seem to capture an unusual feeling for those struggling to protect wild places against relentless development: optimism.
Half a century ago, Timothy Leary described a global perspective that was “turned on and tuned in.” In her exploration of the mindfulness movement, Taffy Brodesser-Akner shows how being “turned on and tuned in” has come to be seen as a symptom of an affliction known as “distraction” (“Turbulent Calm”). Brodesser-Akner asks provocative questions about whether mindfulness projects a solitary ideal that isolates us from others instead of connecting us with them.
Speaking of isolation, in new fiction by Darin Strauss, we head to the Emirates for the story of Chuck, (“Chuck Knows Nothing”) an erstwhile web entrepreneur who somehow manages to have a ton of ideas about connectivity without really having a clue about how to achieve it in his own life. The lessons he learns through his failed relationship with Azeeza point to an important distinction between being a global citizen versus merely well-traveled.
And that raises a big point that I’d like to end with: Though this issue takes you to a crack den in Buenos Aires, through the mouth of the Snake River in the Yukon, and to the sun-drenched streets of Abu Dhabi, we don’t want to leave you with the impression that being a global citizen means jet setting around the world and simply learning about other cultures. On the contrary, what makes this time in human history so sacred is our ability to now be connected to people based on shared values and not on mere geography. Today, creativity gets you much further than a passport ever could.
Say hello to my little friend...literally.
TikTok shocked by 15-year-old unhinged viral clip of kids performing Scarface in school play
Think about the most outrageous film that could be adapted to the stage. Now, imagine the cast of that theatrical production is entirely children, ranging in age from 7 to 10. Now, film it and let the world react.
That’s what director Marc Klasfeld had in mind when he held auditions with professional child actors for a shocking video, meant to look like an elementary school production of the cult film-favorite Scarface. In a now 15-year-old interview with Entertainment Weekly, when asked why he thought this was a good idea, Klasfeld admits, "I thought this would be a nice fit into the kind of YouTube arena of viral videos. And I was right."
The result? Kids yelling “mother-fudger,” piles of popcorn meant to look like cocaine, and outrageous, lengthy scenes of children pointing Super Soakers at one another.
Marc, mostly known as an accomplished commercial and music video director, later adds, "I enjoy making provocative art. I like stirring debate and causing conversation. You're going to get two sides of the coin no matter what you do. People are going to love and hate everything. People loved and hated Avatar. People loved and hated the Jennifer Aniston movie. And people love and hate this. I guess that's a part of having something that's successful out there. There’s got to be certain people that hate it for people to love it."
Once they got their perfect cast, it didn’t take long to put together. He shares, "It was a one-take, so it was pretty much just choosing the right take. About a month altogether."
People sure did react, as it acquired millions of views and comments from all over the Internet. Some were horrified, some were outraged, and many thought it was the funniest thing they'd ever seen. But Marc emphasizes that the kids in the video were not scandalized. "They’ve heard the f-word. They’ve seen more violence in their everyday lives for as long as they can remember. So for this, they’ve seen worse things than this all the time. So this wasn’t that big of a deal for them."
Enter TikTok. The clip (which just popped up again recently on Facebook) was reposted a few years back, and, once again, the comments continue to run the gamut from indignation to full praise. One TikTok user exclaimed, "Bro, I can’t even remember my grocery list, how the fudge did these kids memorize this whole scene lol?"
Others expressed confusion: "I'm not sure whether to be angry or amazed." Some chose anger: "Just imagine, you know these kids watched the movie to get the characters right. And the parents cheering? Yeah, yeah."
Many commenters believed it was a real school play and commended the production for "keepin' it real": "That school keeps it real. Nowadays, kids know so much about guns and drugs, might as well teach them that bad choices don’t end well."
Yet another enjoyed it but was concerned that the parents of the children would not. "Love the tray full of popcorn. But my God, I would hate to see the hell these parents probably raised."
For the most part, the reviews were glowing. Many complimented the acting, and one claimed they definitely would have "preferred this play over their own school production of Macbeth."
And perhaps the biggest compliment? "Al Pacino will be proud."