For many post-Soviet states, the last 25 years have been an exercise in nation building, slowly extricating themselves from long heritages of Russian control. But in little Moldova, a mostly Romanian-speaking nation squashed between Romania and the Ukraine, there’s a small strip of land where you can still find the Soviet hammer and sickle flying over government facilities.
The Moldovan government doesn’t approve of this symbol. And you can certainly bet they don’t approve of thousands of Russian soldiers tromping around the region either. But there’s very little the state can do about any of this, because it’s all happening in the self-declared independent Pridnestrovian Moldovian Republic, better known as Transnistria.
A sliver of land between the Dniester River and Ukraine (in some places just a few miles wide), the primarily Russian-speaking Transnistria rejects Moldovan rule, pledging allegiance to Moscow and displaying Soviet relics as a symbol of its devotion to the notion of a regional Russophone empire. They’re not alone in yearning for a bygone Soviet era either: While we think of the U.S.S.R. as a hot mess in hindsight, many post-Soviet states (and minorities within) remember it fondly for tamping down ethnic conflicts, ensuring basic rights, and shelling out heavy subsidies that ensured a basic standard of living.
To many observers biting their nails over Vladimir Putin’s perceived expansionist policies, this kind of Soviet nostalgia is nightmarish. Putin rode to power on express promises to restore Russia’s global greatness. As an ex-KGB man, that has involved restoring some Soviet symbols at home, playing to these Golden Era memories. It’s also involved patriotism-building promises to protect Russian speakers abroad, especially those discontent with post-Soviet realities and longing to reconnect with Mother Russia. Many believe his dedication to a Novorossiya has fueled Russia’s territorial expansions in the Ukraine and ambitions beyond. And many fear that Transnistria, with its open arms towards Moscow, is both a model of Putin’s vision of a future of regional pro-Russian client states, and the next potential flashpoint for his neo-imperial inclinations.
After the former Soviet Union began to fall apart and Moldova moved towards independence, Transnistrians, wary of how Moldovan nationalism and language policies might affect their lives, decided not to follow, eventually fighting a war from 1991 to 1992 to retain their freedom. During the conflict, Russia offered Transnistria military and financial assistance, and then just never left. What’s more, Moscow has bankrolled Transnistria’s state-building venture for the past 25 years, although it still doesn’t officially recognize their independence. That’s probably a big part of why, in a 2006 referendum, 97 percent of the population expressed interest in joining Russia outright—an inclination that plays into Putin’s claims that aggressive action is needed to protect the rights and self-determination of Russian-speaking communities (and potential client states).
For a long time, Transnistria’s Russian-supported, Moscow-aligned de facto independence was just the status quo. Occasionally, Transnistria drew attention for its shady business practices, intense isolation, and frozen-in-time, Soviet wonderland feel. But for the most part, its borders with Moldova and Ukraine remained silent and steady. Yet in recent months, as Russia’s expansions into Crimea and other regions of southeastern Ukraine have intensified, Kiev has started to challenge Moscow’s access to Transnistria. Partisans in Transnistria have in turn called on the Russian state for protection. And waiting in the wings, observers like America’s John McCain and Georgia’s Mikheil Saakashvili have started to speculate that Russia might soon try to make a show of force in the enclave, living up to its regional patriotic and empire building ambitions, and possibly accelerating its expansion beyond Crimea.
This spring, as tensions continued to build, bringing the bizarre, self-declared state into sharper international focus, photographer Thomas Van Den Driessche decided to visit Transnistria’s capital, Tiraspol, on behalf of The Story Institute. Arriving just as the nation began simultaneous celebrations commemorating the 70th anniversary of the conclusion of the Great Patriotic War (Russia’s name for World War II) and the 25th anniversary of Transnistria’s self-proclaimed independence, he proceeded to document the trappings of pseudo-Soviet life, not just at the state level, but in the lives of everyday Transnistrians. The following 10 photos especially speak to just how deep the region’s love of Mother Russia runs, and how eager many are for the Novorossiya era.
You may have missed the actual meaning behind these 5 popular songs.
'Every breath you ...' what? 5 classic songs where people totally missed the meaning
I’ve never been a "lyrics guy"—as long as the words sound pleasing to the ear, are relatively interesting, and aren’t evil or distractingly dumb, I don’t care all that much what the singer is going on about. I’m focused on the dynamics, the color of the arrangements, the rhythms, and harmonies. It’s only natural that I’d misinterpret some songs over the years, including ones that I’ve heard a thousand times while walking around malls and supermarkets.
I know I’m not alone. And I’d argue there are plenty of factors behind this phenomenon: Some people take lyrics too literally, while others only focus on hooky choruses and fail to notice nuance in the verses. Context can also blind us—if the music is danceable and upbeat, you might fail to catch darker elements in the words. Still, it can be hilarious and/or shocking when hugely popular tunes are misinterpreted on a mass scale.
Speaking of which: Let’s consult a viral Reddit thread titled "Any songs that are (or were) misunderstood by the public?" There's a mountain of suggestions—everything from '90s Latin-pop hits to '80s heartland-rock epics. But five of them felt especially perfect, so let’s dig a little deeper below.
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The Police - "Every Breath You Take" (1983)
As someone argues in the comments, "Pointing out the real meaning behind 'Every Breath You Take' has to have become so commonplace that it can't really be misunderstood anymore." Point taken. But still…this eerie Police track continues to be used in pop culture and everyday life as a signifier of romance—appearing as the soundtrack to TV slow dances and being arranged for weddings by string quartets. It’s easy to assume, at first glance anyway, that the song's protagonist is pledging their devotion—sticking around for "every breath" their partner takes. Instead, the atmosphere is more disturbing, given the whole "I’ll be watching you" thing. "I didn't realize at the time [I wrote it] how sinister it is," Sting told The Independent in 1993. "I think I was thinking of Big Brother, surveillance, and control."
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Bruce Springsteen - "Born in the U.S.A." (1984)
"Born in the U.S.A." is one of Bruce Springsteen's signature songs—but also likely his most misinterpreted. As an official explainer video notes, the words "center around America's industrial decline and loss of innocence during the Vietnam War"—a message that became somewhat diluted as politicians began using the stadium-sized track for their campaigns. "Conservative commenters praised the song, and it earned the approval of both candidates in the 1984 presidential election," the clip's narrator adds. "Despite being adopted as a patriotic anthem, 'Born in the U.S.A.' is far from nationalistic." In a deep-dive piece, NPR quotes Springsteen talking about the song on stage: "'After it came out, I read all over the place that nobody knew what it was about,' he said before performing 'Born in the U.S.A' to a crowd in 1995. 'I'm sure that everybody here tonight understood it."
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Los Del Rio - "Macarena" (Bayside Boys remix) (1995)
Most Americans probably know the bubbly Bayside Boys remix of Los Del Rio's Spanish-language hit—it became the marquee moment of many a mid-'90s wedding reception and middle-school dance, thanks to its once-ubiquitous choreography. Maybe it's because people were too distracted by remembering the dance moves, but lots of us didn’t notice the lyrics. Of course, the chorus is in Spanish, which could have been a barrier for some, but the remix features English lines like the following: "Now don't you worry about my boyfriend / The boy whose name is Vitorino / Ha! I don't want him, can't stand him / He was no good so I, ha ha ha / Now come on, what was I supposed to do? / He was out of town, and his two friends were so fine."
"My little teenage mind was blown when I learned 'Macarena' was about cheating on a boyfriend with his friends," one Redditor wrote. "[Thank you] for the correction, it was 2 friends! Was sleep deprived writing this. I just did the moves, never questioned the lyrics." Yeah, gotta admit—this legitimately never crossed my mind either. Same with some of the people who took part in a reaction video for Distracify: "It’s definitely about dancing," one person said, before learning the truth. Another added, "I have no idea what it’s about still to this day. Please tell me it’s not something really dark."
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Baha Men - "Who Let the Dogs Out" (2000)
The party was nice. The party was pumpin'.' Until, that is, some "flea-infested mongrels" got involved. Back in 2000, you couldn't escape Baha Men's booming cover of "Who Let the Dogs Out"—it became a staple of sporting events everywhere, a kind of bookend for the Jock Jams era. "I know I definitely misunderstood 'Who Let the Dogs Out' to be about actual dogs," one Redditor wrote, likely speaking for most of the listening public. There's probably a good chance most of those people chanting the chorus weren't thinking about the song's real meaning, crafted by Trinidadian artist Anslem Douglas for his 1998 original. But if you pay attention to the lyrics, "Who Let the Dogs Out" has a feminist theme, telling the story of women who stand up against crass catcalling. "This is going to be a revenge song where a woman tells men, 'Get away from me—you're a dog,'" Douglas told Vice in a 2021 video history of the track. "[Offensive] slang was everywhere. It was just degrading women and calling them all sorts of derogatory names. I tried to do a social commentary as a party song, but the party song overshadowed the social commentary aspect of it."
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Hozier - "Take Me to Church" (2013)
One section of the Reddit thread is devoted to songs interpreted as pro-religion, when the truth is... well, more complicated. "'Take Me to Church' by Hozier is often used by Churches for things, and I’m like 'Oh, that’s not…,'" wrote one user. The bluesy, slow-burning ballad may use religious imagery. Still, it's about something more human—"[It's] this idea that powerful organizations use people’s sexuality in order to mobilize people against women, against gay people," the Irish songwriter told Genius in 2023. "And the justification behind that is often religious in nature." Hozier even isolated one particular lyric that highlights this misconception: "'She tells me, ‘Worship in the bedroom' [is] something tongue-and-cheek, a bit of humor to it, also revealing that this is not necessarily a traditional worship song," he said. "I think I still see my name put into playlists for Christian music, and I’m not averse to that—I don’t think the two are necessarily mutually exclusive. But that line I would’ve thought would’ve disqualified it from something like that."